Grace Adams

Man vs Machine: A Perceptual Evaluation of AI and Human Mastering

Jesse ash

Revealing the Acoustic Ecology of the Unheard
Through Locative Audio Augmented Reality

Sanju Alex

A Practice‑Led Investigation into Spatial Audio as a Structural Parameter in Progressive Rock/Fusion Music

Joe Bracken

We Are All Made of Colour: How Can Collective Participation Affect Awareness with Interactive Art

Brian cory

Neural Network Based Emulation of the DBX 160 VCA Compressor: A Perceptual Evaluation Against Commercial DSP Plugin Emulations

Vedasya deva

Searching for Resonance: An Interactive Exploration of Grief and Connection

aengus gilligan

Listening to the Margins: Soundscape Recording as Ethnography within the context of contemporary protest movements

kayla lee

Acoustic Feature Trajectories and the Perception of
Machine Autonomy

alessandro loro

Recreating Acoustic Amplitude Panning in Choral Music:
Composing and Perceiving the Illusion of Moving Sound Objects in a Distributed Vocal Ensemble

Poyun Mao

Instrument Timbre and Anxiety Reduction in Auditory Navigation for Visually Impaired Users: A Comparison of Violin, Marimba, Piano, and Synthesised Sound Across Three Headphone Types

Bernhardt mckenna-doeblitz

Composing Consequence: Can soundscape composition techniques in an interactive installation reflect humans' influence on natural sound environments?

rory mulligan

Sounding the Underground:
Modelling Mycorrhizal Fungi as Sonic Environments

laura paron

Enhancement of a Sampler Instrument with Physical Modelling in Decent Sampler

gabrielle seymour

Development of a Digital Kora VST: From Multi-Perspective Sampling to Hybrid Physical Modelling

john turner

An Acoustics Informed Approach to Natural Reproduction of Pipe Organ Reverberation

yizheng wang

Evaluation and Optimization of Speech Obfuscation Strategies in Soundscape Recordings